I find it very relaxing when I can paint small and detail. I could sit for hours and just get into the zone when time means nothing and I am totally concentrating on what is emerging in front of me. This may sound silly but I am still surprised as I work and when it is all done that I created what lays before me. So I never take it for granted and truly feel this is a gift from God.

Two years ago I took a class at the
Phipps Conservatory in Pittsburgh from
Kate Nessler a botanical artist who paints on vellum which is actual calf skin. What a wonderful feeling that was to paint on a surface as old as biblical times. The skin is so delicate let very forgiving to work on. We worked with watercolors and had to use a very dry technique because to much water would warp the surface to much. The results are astounding. The finished piece has a glow you just cannot get from paper. And to think how long these pieces will last, just look at the Book of Hours or any medieval manuscript.
This spring I got out my piece of vellum I had acquired from the Reggie Ezell class I took and picked up this dry leaf that I thought had wonderful color, shape and character and started to sketch it true to life. True botanical illustration has to be life size. Satisfied with my sketch I transfered just a light outline to the vellum and started to paint. It took me about three days and it was worth it.
Well the good news is that two days ago I received a check that it sold. I take my original work to Kada Gallery and if you have never been in there you need to go. Kathy and Joe are wonderful people to work with. They are very encouraging and really push your work. I am so glad and fortunate they are here in Erie.
Have a wonderful weekend. I'm off to see my niece in a play in Ohio.
Toni